1
00:00:00,010 --> 00:00:01,490
That it does not transcend.

2
00:00:01,570 --> 00:00:04,330
I don't want problems when I start my management.

3
00:00:04,410 --> 00:00:06,730
(JULIÁN) The minister said that my work

4
00:00:06,810 --> 00:00:08,570
It would be exposed for six months.

5
00:00:08,650 --> 00:00:11,330
You have no idea who you're talking to.

6
00:00:11,410 --> 00:00:13,410
Is it clear to you, little mouse?

7
00:00:13,490 --> 00:00:15,370
I'm José, the neighbor. Yes, yes.

8
00:00:15,450 --> 00:00:18,650
I have brought you my drawings so you can give me your opinion.

9
00:00:18,730 --> 00:00:21,090
This is neither the scope nor the moment.

10
00:00:21,170 --> 00:00:24,050
Who do you think you are? You have been director for two minutes

11
00:00:24,130 --> 00:00:25,490
and it has already gone up.

12
00:00:25,570 --> 00:00:26,890
Don Julian.

13
00:00:26,970 --> 00:00:30,050
What's wrong with that shitty, ignorant and arrogant old man?

14
00:00:30,130 --> 00:00:31,130
That he has died.

15
00:00:31,210 --> 00:00:33,450
Minister, can we hold the sample?

16
00:00:33,530 --> 00:00:35,890
Before we will organize the wake at the museum.

17
00:00:35,970 --> 00:00:38,570
They say they are going to bring the coffin with the dead man.

18
00:00:38,650 --> 00:00:41,330
If carried out, organize a protest

19
00:00:41,410 --> 00:00:43,010
at the door of the museum.

20
00:00:43,090 --> 00:00:44,290
What you are seeing

21
00:00:44,370 --> 00:00:47,290
It is an installation by Julián Martínez Sánchez,

22
00:00:47,370 --> 00:00:50,490
of the greatest contemporary Spanish artists.

23
00:00:50,570 --> 00:00:51,570
Without any doubt.

24
00:00:51,650 --> 00:00:54,570
(PROTESTERS) This is a museum, not a mausoleum!

25
00:00:54,650 --> 00:00:55,650
(WHISTLES)

26
00:01:10,730 --> 00:01:12,090
Good morning. Good morning.

27
00:01:12,170 --> 00:01:13,450
Anthony! Here.

28
00:01:14,490 --> 00:01:16,250
Good morning. How is everything going?

29
00:01:16,330 --> 00:01:19,330
Well, there are things missing, but we are good for tomorrow.

30
00:01:19,410 --> 00:01:20,410
And what is missing?

31
00:01:20,490 --> 00:01:23,450
This one of the televisions is practically finished.

32
00:01:23,530 --> 00:01:27,170
It is by a Uruguayan artist who lives in Berlin, Catalina Aguerre.

33
00:01:27,250 --> 00:01:28,770
There it is. Tasting!

34
00:01:30,330 --> 00:01:33,730
Cata, meet the director of the museum, Antonio Dumas.

35
00:01:33,810 --> 00:01:36,050
Hi nice to meet you. Hello, delighted.

36
00:01:36,130 --> 00:01:38,370
Thank you for the invitation to exhibit here.

37
00:01:38,450 --> 00:01:41,930
More was missing. It was the idea of ​​Leo, our star curator.

38
00:01:42,010 --> 00:01:43,010
We continue.

39
00:01:44,850 --> 00:01:45,850
Oooh!

40
00:01:46,330 --> 00:01:47,690
Matthew Fontanilla.

41
00:01:47,770 --> 00:01:49,410
(LAUGHS) Yes. I know this one.

42
00:01:50,050 --> 00:01:53,610
He's been doing the same thing for 20 years. Is he here now?

43
00:01:53,930 --> 00:01:56,370
No, arrive tomorrow for the inauguration,

44
00:01:56,450 --> 00:01:59,170
I was very busy. Yes, I imagine.

45
00:01:59,250 --> 00:02:02,170
And in this empty space goes Selknam's work.

46
00:02:03,010 --> 00:02:06,250
Whose? Selknam. Well, let's see, his name...

47
00:02:06,330 --> 00:02:07,930
Selsnam. Yes, Selknam.

48
00:02:08,250 --> 00:02:11,170
His name is Tomás Obregón, he is a Chilean artist.

49
00:02:11,250 --> 00:02:13,250
The son of the owner of the Obregón bank,

50
00:02:13,330 --> 00:02:15,370
one of the most important in Chile,

51
00:02:15,450 --> 00:02:17,770
and he took Selknam as his stage name

52
00:02:17,850 --> 00:02:21,170
because his great-great-grandmother was precisely of Selknam origin,

53
00:02:21,250 --> 00:02:24,210
an extinct indigenous tribe from southern Chile.

54
00:02:24,290 --> 00:02:28,850
And his work is a huge fish wrapped in fishing nets and plastic...

55
00:02:28,930 --> 00:02:30,490
Ah, what an original thing,

56
00:02:30,570 --> 00:02:32,890
a rich boy denounces pollution.

57
00:02:32,970 --> 00:02:34,810
It will be brought at the last moment

58
00:02:34,890 --> 00:02:38,730
because it is a real dead beluga, but the assembly is very simple.

59
00:02:40,370 --> 00:02:42,970
Already. This is Anka Poderowska,

60
00:02:43,050 --> 00:02:45,930
Another of the artists in the exhibition is Polish.

61
00:02:46,010 --> 00:02:47,330
(IN ENGLISH)

62
00:02:51,890 --> 00:02:55,330
Nice to meet you. Likewise. Very much taste.

63
00:02:55,410 --> 00:02:57,090
Welcome to the museum. Thank you.

64
00:02:57,170 --> 00:03:00,210
It's great that you speak Spanish. Not much, just a little.

65
00:03:00,290 --> 00:03:02,450
Bit? I understand you perfectly.

66
00:03:03,770 --> 00:03:05,330
Is this your work? This one, yes.

67
00:03:05,410 --> 00:03:06,770
Shall we see it and tell me?

68
00:03:06,850 --> 00:03:10,010
Yes, well, it's in progress, I'm not done yet.

69
00:03:11,170 --> 00:03:15,850
Tomapavich, little monkey doesn't go here, he's a poodle.

70
00:03:16,170 --> 00:03:19,850
And where are the giraffes? Can you go get giraffes please?

71
00:03:19,930 --> 00:03:20,930
-Yes of course.

72
00:03:21,450 --> 00:03:24,010
Yes, it is...

73
00:03:26,010 --> 00:03:28,250
You have left me speechless. (LAUGHS)

74
00:03:28,970 --> 00:03:30,450
It's very sensitive because...

75
00:03:31,530 --> 00:03:33,210
it's tender

76
00:03:33,290 --> 00:03:35,930
and monstrous at the same time, right?

77
00:03:37,290 --> 00:03:39,370
That mass that stands multicolored

78
00:03:39,450 --> 00:03:41,530
It's like the perfect combination

79
00:03:42,450 --> 00:03:44,450
between the innocent

80
00:03:44,970 --> 00:03:46,170
and the transgressive.

81
00:03:46,250 --> 00:03:48,770
Well... Huh? Ah!

82
00:03:57,770 --> 00:03:59,730
(Machines)

83
00:04:00,410 --> 00:04:01,410
Sure.

84
00:04:08,370 --> 00:04:09,370
Clear.

85
00:04:15,250 --> 00:04:17,250
(DUBITATIVE) What yes...

86
00:04:19,050 --> 00:04:21,410
Can I suggest something to you? You too, Leo.

87
00:04:21,490 --> 00:04:22,490
Yes please.

88
00:04:24,090 --> 00:04:27,090
I think the work should be moved here,

89
00:04:27,450 --> 00:04:29,850
because there it is mixed with that of Fontanilla.

90
00:04:29,930 --> 00:04:31,410
(NODS) Yes?

91
00:04:32,090 --> 00:04:34,490
It's a shame because they both lose.

92
00:04:36,810 --> 00:04:38,370
At least up to here.

93
00:04:38,450 --> 00:04:40,890
You're right, it's going to be better. It's better.

94
00:04:40,970 --> 00:04:41,970
Okay. Pike!

95
00:04:43,490 --> 00:04:46,770
How long are you staying in Madrid? Just two more days.

96
00:04:46,850 --> 00:04:49,810
Nothing else? Have you been here? No, first time.

97
00:04:49,890 --> 00:04:52,810
What a shame, because Madrid is a beautiful city.

98
00:04:52,890 --> 00:04:55,450
Yes, there is a lot of movement, there is a lot to know.

99
00:04:55,530 --> 00:04:57,730
I am an expert in Madrid. Antonio.

100
00:04:57,810 --> 00:05:00,410
I was going to offer you a tour. It tells me security

101
00:05:00,490 --> 00:05:02,930
that a crane takes away the sculpture. That?

102
00:05:03,010 --> 00:05:04,250
As? Well...

103
00:05:04,530 --> 00:05:08,130
Anka, sorry, duty calls me, but I'll see you soon.

104
00:05:08,970 --> 00:05:09,970
Like a crane?

105
00:05:10,010 --> 00:05:12,490
With some workers carrying away the sculpture.

106
00:05:13,010 --> 00:05:16,170
What is this? High! Stop!

107
00:05:16,250 --> 00:05:19,250
Hey, what are you doing there? Stop right now!

108
00:05:19,330 --> 00:05:20,890
I am the director of the museum.

109
00:05:22,250 --> 00:05:23,250
For.

110
00:05:24,290 --> 00:05:26,170
Can you explain to me what you do?

111
00:05:26,250 --> 00:05:30,490
They hired us from the ministry to take the statue. Look.

112
00:05:34,170 --> 00:05:38,010
No, call your boss, put me in touch with him.

113
00:05:44,490 --> 00:05:48,330
Yes, engineer? Yes, I'm Miguel.

114
00:05:48,410 --> 00:05:49,890
We haven't done it yet

115
00:05:49,970 --> 00:05:52,370
because the museum director is here

116
00:05:52,450 --> 00:05:54,930
and wants to talk to you. Okay, I'll pass.

117
00:05:55,610 --> 00:05:56,610
Already.

118
00:05:57,090 --> 00:05:58,690
Hello? This is Antonio Dumas.

119
00:06:00,050 --> 00:06:01,410
Nice to meet you, good day.

120
00:06:02,210 --> 00:06:05,290
Yes, you... but they have been hired from the area

121
00:06:05,810 --> 00:06:08,090
infrastructure of the ministry.

122
00:06:09,010 --> 00:06:11,810
No, I assure you that it is a mistake.

123
00:06:12,810 --> 00:06:15,930
I'm going to talk to the minister and we're going to solve it.

124
00:06:18,090 --> 00:06:20,050
Perfect, thank you. Ready.

125
00:06:21,410 --> 00:06:24,210
They take her down, untie her and leave.

126
00:06:27,250 --> 00:06:28,250
What's happening?

127
00:06:29,810 --> 00:06:30,970
Was it not clear to you?

128
00:06:31,850 --> 00:06:32,850
The phone.

129
00:06:34,330 --> 00:06:35,330
Oh.

130
00:06:36,570 --> 00:06:37,730
Yes.

131
00:06:38,290 --> 00:06:41,290
(MAN) You can't believe it. - Let's put it down, Pedro.

132
00:06:41,610 --> 00:06:44,050
(engine start)

133
00:06:46,250 --> 00:06:47,250
Slowly.

134
00:06:50,810 --> 00:06:53,850
(slow casual music)

135
00:07:48,370 --> 00:07:49,730
I spoke with the minister.

136
00:07:50,770 --> 00:07:54,210
They ordered the sculpture to be removed to avoid problems.

137
00:07:54,770 --> 00:07:57,250
What a sophisticated way to avoid problems.

138
00:07:57,970 --> 00:08:00,610
Of course, I told him absolutely no.

139
00:08:01,250 --> 00:08:03,050
What mediocrity, please.

140
00:08:04,450 --> 00:08:06,810
Tell me about the preparations for tomorrow.

141
00:08:06,890 --> 00:08:10,170
The embassies of Uruguay and Poland have confirmed

142
00:08:10,250 --> 00:08:13,010
and the Thyssen and the Reina Sofía. Good.

143
00:08:13,090 --> 00:08:15,890
The catering is okay and the sign is already up.

144
00:08:15,970 --> 00:08:19,090
Just tell me what's missing. Is the assembly finished?

145
00:08:19,170 --> 00:08:22,210
Yes, only the beluga is missing, which will arrive tomorrow.

146
00:08:23,050 --> 00:08:24,050
Beluga?

147
00:08:24,770 --> 00:08:27,290
(Indistinct conversations)

148
00:08:33,650 --> 00:08:35,170
(Mobile call)

149
00:08:54,530 --> 00:08:55,970
(PHOTOGRAPHER) Another one? Okay.

150
00:08:56,050 --> 00:08:59,770
- I really liked the work. - Yes, thank you very much.

151
00:09:01,410 --> 00:09:03,610
(PHOTOGRAPHER) - Ready, thank you. And now?

152
00:09:03,690 --> 00:09:05,130
Selknam would be missing.

153
00:09:07,650 --> 00:09:10,090
Art cannot be separated from reality,

154
00:09:10,170 --> 00:09:13,650
because, let's see, art is much more powerful than a revolver.

155
00:09:14,290 --> 00:09:16,570
It must serve to change things.

156
00:09:16,650 --> 00:09:20,170
If not, it does not contribute, it does not transcend, it is of no use,

157
00:09:20,250 --> 00:09:23,130
because, frankly, passive aesthetic enjoyment

158
00:09:23,210 --> 00:09:26,650
It falls short, it seems decadent and old to me.

159
00:09:28,010 --> 00:09:29,130
There is a bad smell, right?

160
00:09:30,010 --> 00:09:31,010
Anka!

161
00:09:31,610 --> 00:09:32,730
Antonio. How is it going?

162
00:09:32,810 --> 00:09:35,730
Very good. Shall we walk a little?

163
00:09:35,810 --> 00:09:36,810
Come on.

164
00:09:38,090 --> 00:09:40,290
Do you know our permanent collection?

165
00:09:40,370 --> 00:09:43,570
No, but I would love to. (Sniffs)

166
00:09:44,810 --> 00:09:46,810
When I became director of the museum,

167
00:09:46,890 --> 00:09:49,050
I reformulated the entire permanent collection.

168
00:09:49,130 --> 00:09:53,210
I gave him an order, a criterion that he didn't have before.

169
00:09:53,770 --> 00:09:56,730
(slow casual music)

170
00:09:57,210 --> 00:09:58,490
Well, it's...

171
00:09:59,570 --> 00:10:00,570
very pretty

172
00:10:00,610 --> 00:10:02,610
It's impressive right? I love it.

173
00:10:05,970 --> 00:10:09,490
It's my favorite, I come every day

174
00:10:09,770 --> 00:10:11,810
and I look at her for a few moments.

175
00:10:12,610 --> 00:10:14,330
Then I get to work.

176
00:10:14,610 --> 00:10:15,610
Excellent.

177
00:10:18,210 --> 00:10:19,650
Tell me something about yourself.

178
00:10:19,730 --> 00:10:20,730
(SIGH)

179
00:10:20,770 --> 00:10:21,810
(LAUGHS)

180
00:10:22,810 --> 00:10:25,490
Where do I start? I don't know.

181
00:10:26,010 --> 00:10:27,450
For the most interesting thing.

182
00:10:29,850 --> 00:10:34,130
Sure, very good. Shall we drink something?

183
00:10:34,690 --> 00:10:37,010
(animated electronic music)

184
00:11:32,170 --> 00:11:33,170
Thank you.

185
00:11:51,770 --> 00:11:52,770
Excuse me.

186
00:11:55,050 --> 00:11:56,650
Good day. Good morning.

187
00:11:57,530 --> 00:11:59,130
There's like a bad smell, right?

188
00:11:59,690 --> 00:12:00,930
Yes, it comes from the living room.

189
00:12:01,450 --> 00:12:02,450
Already.

190
00:12:03,570 --> 00:12:06,490
And you can't add some air freshener

191
00:12:06,570 --> 00:12:09,010
or lower the intensity with some product?

192
00:12:09,850 --> 00:12:13,650
We've already thrown away air freshener. Do you say spraying the animal?

193
00:12:13,970 --> 00:12:15,730
No, it's okay, don't worry,

194
00:12:15,810 --> 00:12:17,850
I'll talk to the conservation people.

195
00:12:17,930 --> 00:12:19,530
You can't do much.

196
00:12:20,490 --> 00:12:23,570
It is a decomposing corpse and its process will continue.

197
00:12:23,650 --> 00:12:24,930
The fucking mother.

198
00:12:25,570 --> 00:12:29,810
Well, let's see, we could try injecting formaldehyde, but...

199
00:12:30,410 --> 00:12:31,890
I don't think it will work.

200
00:12:32,730 --> 00:12:34,290
Where the fuck is Leo?

201
00:12:34,370 --> 00:12:36,650
Let him take charge of this catastrophe!

202
00:12:37,170 --> 00:12:39,410
You are responsible for the exhibition.

203
00:12:39,490 --> 00:12:42,970
I suppose that when you chose the work you knew what it was about.

204
00:12:43,050 --> 00:12:46,370
We have a complicated situation, this is unbearable.

205
00:12:46,930 --> 00:12:50,570
For me the work is shit,

206
00:12:51,530 --> 00:12:53,690
I would take it out right now, but we can't

207
00:12:54,090 --> 00:12:56,530
because we would remain amateurs.

208
00:12:56,610 --> 00:12:57,970
Clear. Well, I...

209
00:12:58,570 --> 00:13:02,250
I'm going to tell you what we're going to do: you're going to go talk to this idiot.

210
00:13:03,330 --> 00:13:05,290
which has 1% indigenous DNA

211
00:13:05,810 --> 00:13:08,290
and you are going to tell him what we are going to order him to do

212
00:13:08,370 --> 00:13:10,450
a resin replica.

213
00:13:10,530 --> 00:13:13,490
We will exchange it for the real one, don't worry.

214
00:13:13,570 --> 00:13:16,050
I don't think he's going to accept. He will accept.

215
00:13:17,250 --> 00:13:18,650
(STRONGLY) He is going to accept.

216
00:13:18,730 --> 00:13:22,250
You go and tell him

217
00:13:22,570 --> 00:13:25,250
Let's get that rotten corpse out

218
00:13:26,010 --> 00:13:30,770
and we are going to put a replica of the beluga in resin, and that's it.

219
00:13:34,010 --> 00:13:35,850
Celeste Malbrán called.

220
00:13:35,930 --> 00:13:39,210
He says it's a personal matter.

221
00:13:39,290 --> 00:13:40,450
(Mobile call)

222
00:13:40,530 --> 00:13:43,050
Tell him to come Thursday at 11. Okay.

223
00:13:43,930 --> 00:13:44,930
Yeah?

224
00:13:46,130 --> 00:13:47,130
(NODS)

225
00:13:47,410 --> 00:13:48,410
Yes, very good.

226
00:13:50,530 --> 00:13:51,530
Okay.

227
00:13:54,090 --> 00:13:56,690
Antonio. What happens now?

228
00:13:56,770 --> 00:14:00,650
The ministry just called, the chief of staff wants to see you.

229
00:14:00,730 --> 00:14:01,730
Oh God...

230
00:14:01,770 --> 00:14:04,450
(FEMALE ELEVATOR VOICE) "Closing doors."

231
00:14:06,970 --> 00:14:09,650
(sad piano music)

232
00:14:13,130 --> 00:14:15,850
(Flies buzz)

233
00:14:49,170 --> 00:14:51,610
The minister insists on removing the sculpture.

234
00:14:51,690 --> 00:14:54,650
Because of a few comments on the Internet?

235
00:14:54,730 --> 00:14:57,610
There are many, the minister does not want problems.

236
00:14:58,410 --> 00:15:00,890
Don't you smell horrible? Like fish.

237
00:15:00,970 --> 00:15:03,810
It's for an installation. Going back to ours,

238
00:15:03,890 --> 00:15:06,370
We will have problems if we remove it.

239
00:15:06,450 --> 00:15:08,410
Can you imagine the criticism?

240
00:15:08,490 --> 00:15:10,850
They are going to accuse us of being censors, of censoring,

241
00:15:10,930 --> 00:15:14,850
and all because of a tiny group of activists...

242
00:15:15,570 --> 00:15:16,610
what are they called?

243
00:15:16,690 --> 00:15:18,450
UncoverArt. That one, DestapArte.

244
00:15:18,530 --> 00:15:20,730
It looks like a plumbing product.

245
00:15:20,810 --> 00:15:23,330
They are going to accuse the ministry,

246
00:15:23,410 --> 00:15:26,450
to the minister, of being carrying out

247
00:15:26,530 --> 00:15:28,650
an act of cancellation, horrible.

248
00:15:28,730 --> 00:15:31,090
Apparently, he was violent with women.

249
00:15:31,170 --> 00:15:33,810
Where did they get that from?

250
00:15:34,570 --> 00:15:37,530
And if it was like that, well, the violent one was the man,

251
00:15:37,850 --> 00:15:41,170
who died 50 years ago, not the sculpture, please.

252
00:15:43,690 --> 00:15:47,010
AND? Nothing. For me the easiest

253
00:15:47,650 --> 00:15:50,290
is to remove it, I get rid of a problem.

254
00:15:50,810 --> 00:15:52,810
But I'm not going to give in for you.

255
00:15:52,890 --> 00:15:54,650
For you I am not going to give in.

256
00:15:55,810 --> 00:15:59,370
For everyone, it is best that the work stays where it is.

257
00:16:04,250 --> 00:16:06,250
Yes, I don't know, maybe so.

258
00:16:07,650 --> 00:16:09,970
I'm glad we can agree.

259
00:16:10,050 --> 00:16:12,330
(Comic animated melody)

260
00:16:12,770 --> 00:16:14,570
(laughs)

261
00:16:17,970 --> 00:16:20,330
Didn't you see Leo? (ALL) No.

262
00:16:23,130 --> 00:16:25,130
"Sorry, I have called you 20 times,

263
00:16:25,210 --> 00:16:27,650
But I can't find it, I keep trying."

264
00:16:27,730 --> 00:16:31,890
The most reputable mother, Leo. Call it 20, 30 or a thousand times more,

265
00:16:31,970 --> 00:16:34,090
If necessary, please!

266
00:16:35,090 --> 00:16:38,090
I wanted to speak to you on behalf of my colleagues.

267
00:16:38,170 --> 00:16:41,650
Manuel, I understand them and I suffer from it, but they have to understand

268
00:16:41,730 --> 00:16:44,770
which is a museum, not an administrative agency.

269
00:16:44,850 --> 00:16:47,450
It won't be the first time you've entered the museum.

270
00:16:47,530 --> 00:16:50,130
an unconventional work. Here? Never.

271
00:16:50,450 --> 00:16:53,570
Besides, it's a dead animal and, excuse the comparison,

272
00:16:53,650 --> 00:16:55,930
but we already had the painter's wake.

273
00:16:56,010 --> 00:16:59,170
It is the second corpse, and this one is decomposing.

274
00:16:59,250 --> 00:17:02,730
Companions can catch some pest from the animal.

275
00:17:02,810 --> 00:17:05,570
Look! There you have them: viruses, bacteria...

276
00:17:05,650 --> 00:17:08,770
Let's see if Amaia's palliative care will solve it.

277
00:17:08,850 --> 00:17:12,770
Give me until tomorrow, you will see that everything improves.

278
00:17:12,850 --> 00:17:16,250
(WOMAN) What kind of museum is this? It smells rotten.

279
00:17:16,330 --> 00:17:19,970
-You cannot visit a museum with a decomposing animal.

280
00:17:20,050 --> 00:17:21,490
My daughter is vomiting.

281
00:17:26,410 --> 00:17:27,810
(soft high pitched ring)

282
00:17:35,010 --> 00:17:36,010
man,

283
00:17:37,090 --> 00:17:39,050
Finally the director arrived.

284
00:17:40,130 --> 00:17:41,370
I was waiting for you.

285
00:17:42,130 --> 00:17:44,450
Let's see if I'm lucky and you see my works.

286
00:17:44,530 --> 00:17:46,930
At another time. And now? They are here.

287
00:17:47,010 --> 00:17:48,050
I can't right now.

288
00:17:48,130 --> 00:17:50,090
It's a minute, you take a look at them

289
00:17:50,170 --> 00:17:53,130
and tell me if I'm finding my own style.

290
00:17:53,210 --> 00:17:56,130
It doesn't cost you anything. Permission, please.

291
00:17:56,210 --> 00:17:57,730
I told him not now!

292
00:17:57,810 --> 00:17:59,530
Be careful with the tone.

293
00:18:00,690 --> 00:18:03,650
Don't be upset, let's see if I'm going to get angry.

294
00:18:04,690 --> 00:18:06,250
Look how complicated you are.

295
00:18:10,130 --> 00:18:11,130
(JOKE)

296
00:18:11,210 --> 00:18:12,450
We left it pending.

297
00:18:20,730 --> 00:18:21,970
(Flies buzz)

298
00:18:32,770 --> 00:18:34,890
What do you mean you don't accept?

299
00:18:34,970 --> 00:18:36,850
Well that's it, I've talked to him

300
00:18:36,930 --> 00:18:39,290
and I have explained it to you as you told me,

301
00:18:39,370 --> 00:18:42,490
but he says that his work is like that, that he thought of it like that

302
00:18:42,570 --> 00:18:45,090
and that he does not accept the idea of ​​putting a replica.

303
00:18:45,170 --> 00:18:49,130
Have you told him that, in addition to the staff discomfort

304
00:18:49,210 --> 00:18:52,370
Do we have complaints and reports from visitors who are sick?

305
00:18:52,450 --> 00:18:53,810
Yes, but he doesn't care.

306
00:18:53,890 --> 00:18:56,970
He says it would be an unacceptable modification of his work

307
00:18:57,050 --> 00:19:00,690
and an act of censorship. An act of censorship, son of a bitch!

308
00:19:00,770 --> 00:19:01,890
And what do you think?

309
00:19:02,970 --> 00:19:06,970
Well, let's see... it's true that the smell is unbearable,

310
00:19:07,050 --> 00:19:10,570
but also that putting a resin doll is not as powerful.

311
00:19:10,650 --> 00:19:14,730
I asked you to solve something that you were unable to solve.

312
00:19:14,810 --> 00:19:16,130
and you take his side.

313
00:19:16,210 --> 00:19:18,650
No, I want to help... Give me his contact,

314
00:19:18,730 --> 00:19:20,530
I solve it my way. Clear.

315
00:19:20,610 --> 00:19:21,810
(Mobile call)

316
00:19:24,210 --> 00:19:25,210
Yes, Marisa.

317
00:19:26,050 --> 00:19:27,050
That?

318
00:19:27,090 --> 00:19:30,810
It is just a preventive measure by the judge until it is resolved.

319
00:19:30,890 --> 00:19:32,890
How long will the closure last?

320
00:19:32,970 --> 00:19:35,410
I couldn't tell you, that's for the judge to decide.

321
00:19:35,490 --> 00:19:36,810
(Police sirens)

322
00:19:36,890 --> 00:19:40,010
-Anyway, this issue will be resolved today.

323
00:19:40,090 --> 00:19:43,810
Celeste Malbrán is waiting for you, should I tell her to come another day?

324
00:19:44,850 --> 00:19:47,730
No, I'll meet her outside.

325
00:19:48,650 --> 00:19:51,610
Inform me of the news. Okay.

326
00:19:54,570 --> 00:19:56,650
I was thinking about what we talked about.

327
00:19:56,730 --> 00:20:00,170
It is true that Mariel occupied an important place in my life,

328
00:20:00,730 --> 00:20:03,770
but I also haven't heard from her in decades.

329
00:20:03,850 --> 00:20:06,250
Did you make me come here to tell me that?

330
00:20:06,850 --> 00:20:08,090
I wanted to make it clear to you

331
00:20:08,170 --> 00:20:12,610
that he would never offer a job or position to a family member.

332
00:20:12,690 --> 00:20:14,290
This is not the case with Mariel.

333
00:20:14,370 --> 00:20:17,050
You have not been married nor have you had children.

334
00:20:17,850 --> 00:20:21,330
He was my partner for many years, it's the same, it would be a plug.

335
00:20:21,410 --> 00:20:22,410
Plug?

336
00:20:23,930 --> 00:20:26,050
Mariel is brilliant, don't you remember?

337
00:20:26,130 --> 00:20:29,130
No, I haven't forgotten, I'm sure it's brilliant.

338
00:20:29,210 --> 00:20:31,650
It would be disrespectful to send him money.

339
00:20:31,730 --> 00:20:35,250
You are intellectualizing everything to not help her.

340
00:20:36,090 --> 00:20:37,290
It's not like that, but...

341
00:20:38,210 --> 00:20:41,130
I have already given you my reasons and I think I have been clear.

342
00:20:42,130 --> 00:20:43,130
Very clear.

343
00:20:44,410 --> 00:20:45,850
Anyway, I'm leaving.

344
00:20:46,570 --> 00:20:50,010
Stay with that smell of shit coming out of your shitty museum.

345
00:21:07,250 --> 00:21:11,050
I already told Leo, and no, I'm not going to let them change my work.

346
00:21:12,090 --> 00:21:14,770
It was precisely the idea, to generate all this.

347
00:21:14,850 --> 00:21:17,610
Shake, modify, question.

348
00:21:17,690 --> 00:21:20,090
The smell is unbearable, you feel it, right?

349
00:21:20,170 --> 00:21:21,170
Yes, of course,

350
00:21:21,210 --> 00:21:23,530
but that is something fundamental about my work.

351
00:21:23,610 --> 00:21:26,130
The idea is that, every day, the smell gets worse.

352
00:21:26,210 --> 00:21:28,490
You know we've had a lot of complaints,

353
00:21:28,570 --> 00:21:29,930
and now the town hall

354
00:21:30,010 --> 00:21:32,530
The museum has closed to us by order of a judge.

355
00:21:32,610 --> 00:21:35,130
That means the work is working.

356
00:21:35,210 --> 00:21:38,290
It works, but no one comes into the museum to see it!

357
00:21:38,370 --> 00:21:40,450
The thing is, all of that is my work.

358
00:21:41,490 --> 00:21:43,850
My work does not end when it leaves the workshop.

359
00:21:43,930 --> 00:21:45,010
Aha. It's right there

360
00:21:45,090 --> 00:21:47,930
When does your tour start, okay?

361
00:21:48,410 --> 00:21:51,770
The complaints, the closure of the museum, the judge...

362
00:21:51,850 --> 00:21:55,530
That is the work, even this very conversation.

363
00:21:55,610 --> 00:21:56,610
Clear.

364
00:21:56,650 --> 00:21:59,210
The work is alive and continues its journey.

365
00:21:59,290 --> 00:22:01,290
(Flies buzz)

366
00:22:01,970 --> 00:22:04,050
The work continues its journey, now.

367
00:22:06,010 --> 00:22:07,090
Did you know?

368
00:22:08,810 --> 00:22:09,810
You're right.

369
00:22:12,330 --> 00:22:15,210
You're right, I'm ashamed to admit it:

370
00:22:15,290 --> 00:22:17,130
I'm acting like a bureaucrat,

371
00:22:17,210 --> 00:22:19,450
like a mediocre public official.

372
00:22:20,810 --> 00:22:21,890
Your arguments are

373
00:22:21,970 --> 00:22:25,050
very solid and forceful.

374
00:22:26,410 --> 00:22:27,490
I apologize to you.

375
00:22:28,690 --> 00:22:32,730
I congratulate you, because you have just given me a lesson in contemporary art.

376
00:22:34,210 --> 00:22:35,410
Thank you.

377
00:22:36,570 --> 00:22:37,570
Thank you.

378
00:22:38,050 --> 00:22:42,450
And don't worry, it has become very clear to me.

379
00:22:43,490 --> 00:22:45,490
(intriguing music)

380
00:23:46,330 --> 00:23:48,330
(intriguing music)

381
00:24:03,690 --> 00:24:05,090
(Klaxons)

382
00:24:07,610 --> 00:24:10,210
(high-pitched rhythmic beep)

383
00:24:15,650 --> 00:24:17,650
(Flies buzz)

384
00:24:29,930 --> 00:24:31,330
(Mobile message)

385
00:24:34,490 --> 00:24:36,730
(READ) "The work continues its journey."

386
00:24:40,090 --> 00:24:41,690
What a conchesumare, bastard.

387
00:24:42,930 --> 00:24:43,930
Ugh...

388
00:24:45,890 --> 00:24:48,650
(slow casual music)

389
00:24:49,450 --> 00:24:51,130
(camera shot)